ITZY means business on TUNNEL VISION, their 11th mini album. Almost literally. When they greet me over a late-night video call in Seoul, they’re seated across desks like a team mid-strategy session – pens in hand, papers neatly spread out
YEONJUN’s first solo outing doesn’t arrive cautiously. It doesn’t attempt to ease the public into a new image, nor does it try to reaffirm a familiar one
FIFTY FIFTY enchants once more with Too Much Part 1: a brief but intentional reset that leans into the early spark of love rather than the polished certainty that usually comes later
South Korean artist CAMO’s new EP Secret isn’t reaching for quick catharsis. It’s not built to tidy emotion into a lesson or a clean arc
WONHO has always stood slightly apart from the K-pop system that raised him. Since a solo debut in 2020, he’s built himself from the ground up by writing, producing, and performing with an innate focus on emotional storytelling and intimacy
She’s been performing for most of her life — debuting at seven, singing traditional Korean music on stages from the UN in New York to the PyeongChang Paralympics. And yet, Song Sohee is still finding new ways to surprise
VIVIZ are in the middle of a moment that feels both familiar and completely new
The South Korean six-piece — SHINYU, DOHOON, YOUNGJAE, HANJIN, JIHOON, and KYUNGMIN — have quickly carved out a space as PLEDIS Entertainment’s newest boy group, blending high-energy hooks with a refreshing, youthful sound
