Oso Oso

In the Present

By Haley Nord

Photos by Michael Dubin

Making a sixth album comes with its own set of challenges, especially when you’ve spent years establishing a sound that listeners have come to recognize. For Oso Oso, that sound has always made room for contradiction: bright, direct melodies that carry a more complicated emotional weight. Jade Lilitri admits that surprising himself has become harder the longer he makes music, and that sometimes the biggest surprise is simply writing a song that he likes.

On an exchange of information, Oso Oso’s sixth full-length and first release for Feral Twin, Lilitri continues to work through that tension. We caught up with him to talk about the making of the record, a songwriting process involving a tiny bass player in his brain, and the music that first made a lasting impression on him.

When asked about nostalgia, Lilitri offers a succinct philosophy: “I’m way more interested in the present, always.” That sense of being in the present carries through to the album's final track, “the days,” which Lilitri says was always meant to close the record.

Cart

×